One of the things that really helps this book - and I'm pretty sure I've mentioned it before - is the relatively high panel count. It gives the stories a lot more room to tell a story, and as a result each individual issue feels much more satisfying than the average DC/Marvel comic. Babs Tarr's artwork is perfectly suited to this kind of dense layout as well, since she draws relatively sparsely with a bold cartoony aesthetic.
DC recently tried relaunching its main line with what was being internally referred to as 'Batgirling'. Taking this comic as the model, creators were encouraged to think outside the box and think of fresh setting and angles for their characters. I think they have completely tried to learn the wrong lesson. Batgirl is working because it's telling tightly constructed, upbeat and enjoyable superhero stories with clear, appealing artwork and likeable characters. That is it's achievement: not a hipster-style costume and a change of setting. (4/5)
DC Comics. Written by Brendan Fletcher and Cameron Stewart. Art by Babs Tarr and Juan Castro. Colours by Serge LaPointe.
Under the cut: reviews of Aquaman, Doctor Who and Justice League 3001.
DC Comics. Written by Cullen Bunn. Art by Trevor McCarthy and Jesus Merino. Colours by Guy Major.This is one of those issues with a plot development that makes you re-assess the last two issues before it in a new light, and forgive a few of their weaknesses - they now turn out to be part of a plot twist. That in mind I'm still not entirely happy with this relaunched Aquaman - the biggest problem is McCarthy and Merino's artwork, which feels very muddy and undefined, and a really poor match for the more fantasy-oriented super-heroics that crop up in this title. The art is, to an extent, hurting the book. (2/5)
Titan Comics. Written by Paul Cornell. Art by Neil Edwards. Colours by Ivan Nunes.The 10th, 11th and 12th Doctors have accidentally brought about the exact event that's going to destroy the universe. Now they're scrambling through a maze in an alien desert, accidentally triggering leftover Time War weapons, and getting an unwanted glimpse into their own future. This third issue lacks the spark of the first two. It also ends on a cliffhanger that simply didn't grab me in the manner I suspect Cornell wanted it to. This is still a fun, fast-paced event comic for Doctor Who fans, but while the first two issues ranked a four this one really does only rank a three. Hopefully it will pick up against next week. (3/5)
DC Comics. Written by Keith Giffen and J.M. DeMatteis. Art by Howard Porter. Colours by Hi-Fi.The League's fight against the 31st century Starro the Conquerer ends not with a bang but with bureaucracy. Guy continues to struggle with her new female identity. Lois Lane keeps planning the League's destruction - but is she stalling for some reason? Much as I've enjoyed Giffen and DeMatteis' silly dialogue and character comedy, the real star of the book continues to be Howard Porter. The new style he developed for the comic has been it's greatest strength. It's richly detailed, imaginative and appealing. (3/5)