This issue sees Superman against the wall. He's leading a fight against Vandal Savage, and it is a fight he is losing. He has lost all of his powers, and is only still fighting because he's re-powered himself with a fatal dose of kryptonite. Much of the Justice League has already been knocked out of action. This issue marks something of a final stand.
Broadly speaking it's pretty great. A quite astonishing number of artists have contributed to this issue, so in visual terms it is a little all over the shop. There's a lot of emotion running through it, however, and Kuder's layouts do manage to broadly keep everything together. The good part of the issue is that it really does feel like a triumphant climax to Kuder and Pak's run. The bad news is that despite this it still ends on a cliffhanger and the story continues in Superman/Wonder Woman. I'm going to assume Superman wins the day. (3/5)
Action Comics #50. Story by Greg Pak and Aaron Kuder. Script by Greg Pak. Layouts by Aaron Kuder. Art by Aaron Kuder, David Messina, Javi Fernandez, Bruno Redondo, Vicente Sifuentes, Gaetano Carlucci and Juan Albarran. Colours by Tomeu Morey, Arif Prianto and Wil Quintana.
Under the cut: reviews of Detective Comics, Doctor Strange and The X Files: Deviations.
DC Comics. Written by Peter J. Tomasi. Art by Fernando Pasarin, Scot Eaton, Matt Ryan and Wayne Faucher. Colours by Chris Sotomayor.Much like Action Comics, Detective Comics hits issue #50 with an extended, expensive celebratory extravaganza. Unfortunately it does this by packaging a regular issue - the climax of Peter J. Tomasi's three-part storyline - with an unnecessary and indulgent series of splash pages by different artists, intended as a sort of celebration of all things Batman. Some readers may like it. I found it unnecessary and a pretty weak reason to charge readers an extra dollar. Thankfully Tomasi's climax, illustrated by Pasarin, Eaton, Ryan and Faucher, is pretty solid stuff. (3/5)
Marvel. Written by Jason Aaron. Art by Chris Bachalo, Tim Townsend, Al Vey, Mark Irwin, John Livesay, Wayne Faucher, Victor Olazaba and Jaime Mendoza. Colours by Chris Bachalo with Java Tartaglia.Some quick observations about Doctor Strange #6. Firstly it took seven artists to ink this issue, which like Action Comics seems a trifle excessive. Secondly the cover proudly announces it is the beginning of a new story arc; it isn't. It begins in the middle of a story and ends still in the middle of that story. Thirdly this ongoing arc focuses on a non-magical villain going from dimension to dimension wiping out all magic in revenge for what magicians once did to him. That is basically the exactly same premise of Jason Aaron's acclaimed "Godkiller" arc in Thor: God of Thunder a few years back, and it suddenly struck me that he is recycling his own plot. This is an entertaining book, but to be honest Bachalo's art is just a bit too messy and incoherent, and there simply isn't the spark I got when Aaron told this story the first time. (3/5)
IDW. Written by Amy Chu. Art by Elena Casagrande and Silvia Califano. Art by Arianna Florean.It's the beginning of The X Files all over again, with Dana Scully attached to debunk the work of UFO obsessive Agent Mulder - only this time around it's Samantha Mulder, sister of abductee Fox. There is a neat sort of 'what if' thing going on with IDW's Deviations series of one-shots. Certainly this issue is neatly written and very nicely illustrated, but sadly it doesn't really go anywhere. It sets up some characters and that's about it. It is a missed opportunity. (2/5)