So: assuming the Hugo voters are paying better attention these days, it's worth looking ahead to the 2014 Hugos and highlighting books that should probably be on the ballot by then. One example: Trillium, whose second issue drops this week. It's written and illustrated by Jeff Lemire in a beautiful abstract style that I have absolutely fallen in love with. It's also telling an intriguing story of hallucinogenic flowers, time travel, alien invasions and 1920s explorers. I'm not saying it should be guaranteed a slot in the Hugo nominations - we're only two issues in - but I am saying that if you're a person who generally nominates for the Hugo Awards, you should probably give Trillium a look. It's only two issues in and has been absolutely faultless. (5/5)
One last comment I would make about the 2013 Hugos: after the awards are announced, a full list of all nominated works are released, including the number of nominations each work received. When Carey and Gross' marvellous book The Unwritten didn't make the shortlist, I was surprised. It turns out that it received more than enough nominations to make the shortlist - had the organising committee not separated its nominations across two separate volumes and the comic in general. Poor form, Hugos. Poor form.
Under the cut: reviews of All-New X-Men, Batman, Daredevil: Dark Nights, Earth 2, The Flash, Forever Evil, Justice League Dark, Teenage Mutant Ninja Turtles, X-Men Battle of the Atom and X-Men Legacy.
Batman #23.1: The Joker
DC Comics. Written by Andy Kubert. Art by Andy Clarke.Is this the first time artist Andy Kubert has written a comic book? I'm trying to remember. If this is his debut it's a very strong one. This is a great self-contained one-shot set during the early years of the New 52 continuity, in which the Joker takes on a surprising new sidekick. The big surprise, and it comes early enough into the issue that I don't mind spoiling it, is the flashbacks to the Joker's childhood. They instinctively feel like they shouldn't work, because the character works best as an enigma - yet they work brilliantly. A strong start to DC's Villain's Month, which I remain unconvinced about. Sure, this book worked - but will all 52 of them? (4/5)
Marvel. Story and art by David Lapham.It's getting to the point where if Marvel publishes a comic book with Daredevil on the cover, you should probably just buy it. Dark Nights is a strange eight-part miniseries split into three unrelated serials. Issues 1-3 covered one fantastic storyline, this fourth issue begins another, as Matt Murdock's thrown into a race across New York after a miniature flea-like villain. David Lapham is telling a great, massively enjoyable storyline here, one in a long string of similarly excellent Daredevil storylines in recent years. (4/5)
DC Comics. Written by Paul Levitz. Art by Yildiray Cinar.This is exactly the sort of comic I was expecting to see as part of "Villain's Month". Paul Levitz is a great writer when he's firing on all cylinders, and fully engaged in what he's doing, but this DeSaad-based one-shot just feels like backstory and filler. Oddly, while it's technically an issue of Earth 2, it actually appears to have a lot more relevant to Worlds' Finest. Relevant, yes. Unnecessary? Also, sadly, yes. (2/5)
DC Comics. Written by Brian Buccellato. Art by Chris Batista.This is the other sort of comic I was expecting to see as part of "Villain's Month". This issue starts out as a follow-up to the "Gorilla Warfare" arc that ran some months ago in The Flash - that is, until it suddenly turns into a lead-in to a Forever Evil spin-off miniseries about the Rogues. It's difficult not to see this issue as nothing more than an extended advertisement. Again, it's relevant to the ongoing title, but it's also not a must-read by any sensible stretch. (2/5)
DC Comics. Written by Geoff Johns. Art by David Finch and Richard Friend.I promised myself I wouldn't reward DC for their irritating non-ending to "Trinity War". I promised myself not to buy into one more big publisher event miniseries. I promised. And yet somehow Forever Evil #1 found its way into the Pull List. Fool me once, shame on you - fool me twice, shame on me. All that said, this is a really strong first issue. It really drives home an apocalyptic feel: the Justice League have mysteriously vanished, and their evil doppelgangers have taken over the world. With the "big guns" gone - and one remaining hero receiving a pretty shocking character development - who can save the DC Universe? If you said "Lex Luthor", then you're probably going to enjoy this book. (4/5)
IDW. Written by Kenny Byerly. Art by Dario Brizuela.Recently I've fallen head over heels for Nickelodeon's Teenage Mutant Ninja Turtles cartoon. It's whip-smart, well-paced and laugh-out-loud funny, combining nice design aesthetics with straight-forward computer animated and a strong manga influence. IDW's tie-in comic is breezy, non-pretentious fun and does a marvellous job of copying the tone and content of the TV show. If you're looking for an enjoyable all-ages comic, this is a really good one. (4/5)
Marvel. Written by Brian Michael Bendis. Art by Frank Cho, Stuart Immonen and Wade Von Grawbadger.All-New X-Men #16 (Battle of the Atom, part 2)
Marvel. Written by Brian Michael Bendis. Art by Stuart Immonen and Wave Von Grawbadger.You remember that episode of Red Dwarf where they go back in time to before the ship was destroyed, and by the end of the episode there's a big scene in Lister and Rimmer's quarters with the Rimmer who's from the double-double future? This new X-Men crossover kind of feels like that.
For the past 15 issues the original teenage X-Men have been living in the 21st century thanks to ill-advised time travel. Now the X-Men of the future have returned to the present to convince the X-Men of the present to send the X-Men of the past back to the past, to stop the present from turning into the future and allowing the future to transform into a better future thanks to a changed present, created by a restored past.
There's a gleeful sense of play about all of this. The future X-Men are tantalizingly attractive, with one or two great surprises as to the line-up. What could be a continuity nightmare (there are now three simultaneous versions of some characters) is saved by some great dialogue and characterization, and an intriguing pair of cliffhangers. Like good gymnastics, the clincher for these kinds of big crossovers is the landing, but so far "Battle of the Atom" is good enough for me to agree to pick up the two or three comics I wouldn't normally read just to get the full story. (4/5)
Marvel. Written by Simon Spurrier. Art by Paul Davidson.Compared to all of the epic time-travelling shenanigans of "Battle of the Atom", X-Men Legacy feels more than a little short-changed. The son of Charles Xavier, the super-mutant David Haller, finally tracks down Cyclops to gain revenge for Charles' murder. This feels like Marvel should be treating it as a more epic confrontation that it is, but instead it's tucked away in a low-selling supporting book - this pretty much guarantees that nothing significant is ultimately going to happen. It's a pity: this continues to be an excellently written book with humour, drama and lots of off-the-wall concepts. I would give this issue five out of five, but it loses a point for some pretty skeezy lines about women. Stern look. Must try harder. (4/5)
Winner of the Week: There's no complete stand-out this week, just quite a few very enjoyable comics. If you're picking one to buy, go with The Joker.
Loser of the Week: Similarly there's nothing teeth-grindingly awful. The worst of this week's bunch is probably DeSaad to be honest.