This also marks pretty much the end of Scott Snyder, Greg Capullo and Danny Miki's run on Batman. It kicked off when the New 52 started, and for about four and a half years it's been providing a string of high-concept, blockbuster-style epic storylines including "The Court of Owls", "Zero Year", "Death of the Family" and "Endgame". Some readers have chafed at the liberties this creative team has taken - notably Jim Gordon's Batman - while others have wallowed in the imaginative manner in which the characters have been stretched and transformed. I am firmly in the latter camp. This issue is pretty much a showcase for what the team do best, so if you've enjoyed the run you'll love the climax and if you haven't enjoyed it this is severely unlikely to change your mind.
There's an epilogue to go in issue #51 but essentially this is the end of the run, and it concludes in the manner these sorts of commercial ongoing superhero books should end. The toys are mostly put back in the box: Bruce is Batman again, Jim is the police commissioner again, and Gotham is back running in a familiar, comfortable fashion. A whole raft of new characters and story threads have been brought into Batman's world, and they're all there for future creative teams to shake up and exploit. (5/5)
Batman #50. DC Comics. Written by Scott Snyder. Art by Greg Capullo and Danny Miki, with Yanick Paquette. Colours by FCO Plascencia and Nathan Fairbairn.
Under the cut: reviews of Doctor Who: The 4th Doctor, Obi-Wan & Anakin, and Venus.
Titan Comics. Written by Gordon Rennie and Emma Beebie. Art by Brian Williamson. Colours by Hi-Fi.After publishing ongoing series for the 10th, 11th and 12th Doctors, Titan turned their attention to a rolling series of five-part miniseries - each focusing on a different past Doctor. After covering Christopher Eccleston's 9th Doctor, then Paul McGann's 8th, I honestly expected them to continue moving backwards via Sylvester McCoy's 7th. Instead they have leapt back - in retrospect quite understandably - to Tom Baker's legendary 4th Doctor for an all-new adventure with the Doctor and Sarah-Jane Smith. Sadly the resulting comic book is a little too slavishly faithful to its origins, with a Victorian London setting and what is kicking off as a very generic sort of storyline. It may improve, but for a first issue it is not very gripping. Brian Williamson's art also gets a little too obviously photo-referenced in places, which detracts from the story quite a bit. (2/5)
Marvel. Written by Charles Soule. Art by Marco Checchetto. Colours by Andres Mosa.Obi-Wan and Anakin continue their mission on Carnelion IV, while flashbacks reveal the growing influence of Senator Palpatine over Anakin's upbringing. I was not entirely impressed with the first two issues of this five-part miniseries, but this third issue feels a lot stronger and more self-assured. The flashbacks are the highlight, adding depth and resonance to the events of the Star Wars prequel films, but there is also some great done here with Obi-Wan - a Jedi Padawan thrown a little too early into being a fully-fledged knight, and now tasked with training a rebellious apprentice of his own. Marco Checchetto's artwork is gorgeous, and beautifully coloured in a delicate fashion by Andres Mosa. (3/5)
Boom Studios. Written by Rick Loverd. Art by Huang Danlan. Colours by Marcio Menyz.I have really enjoyed this science fiction thriller, but I had some concerns that there would not be enough time in four issues to tell a whole story. Those concerns proved to be true with this fourth and final issue, which does give a small amount of resolution but clearly lives an enormous amount hanging in the air for some hypothetical sequel series. It's still well-written, intelligent science fiction, and Huang Danlan's artwork is clean and immensely readable, but after three issues of build-up it cannot help but be something of a let-down. I hope a Venus II is coming soon to alleviate readers' frustration. (3/5)