This is a solid opening without ever feeling sensational. Bendis' dialogue is remarkably wordy, which slows down the book's reading time considerably and also slows the narrative pace. Ivan Reis and Joe Prado's artwork is strong and detailed, and it is great to see Superman back in his archetypal 'red shorts' costume. It's been a while.
All signs are that this is going to be an entertaining miniseries without being a particularly groundbreaking one. Bendis clearly has a handle on Superman as a character, so now it's just up to the readers to wait and see how things develop. (4/5)
The Man of Steel #1. DC Comics. Written by Brian Michael Bendis. Art by Ivan Reis, Jay Fabok, and Joe Prado. Colours by Alex Sinclair.
Under the cut: reviews of Daredevil, Descender, Justice League: No Justice, Ms Marvel, and Saga.
Marvel. Written by Charles Soule. Art by Mike Henderson. Colours by Matt Milla.New York City is overrun by the hand, and Matt Murdock is stuck pulling double duty as both Daredevil and city mayor. A nice guest appearance aside, this feels a slightly less dramatic issue of this growing story arc: it propels things along nicely, but lacks the energy that previous issues had. Despite some good writing by Charles Soule, and some very nice artwork by Mike Henderson, this feels very much like a typical 'middle' issue. It's the installment you have to have to make the overall story function. (3/5)
Image. Written by Jeff Lemire. Art and colours by Dustin Nguyen.The UCG have unleashed their own Harvester, which could spell doom for all of their enemies - so long as they can capture Tim-21 to control it. Whether this current story arc is the end of this science fiction epic or not, it is certainly the end of something. All of the characters and story threads have finally converged in one pitched battle, and whatever happens next is anyone's guess. It is impressive to see Jeff Lemire's script pull everything together in such a natural and satisfying way. Dustin Nguyen's watercolour art continues to provide a striking contrast to the tech-heavy story. (4/5)
DC Comics. Written by Scott Snyder, James Tynion IV, and Joshua Williamson. Art by Francis Manapul. Colours by Hi-Fi.No Justice ends messily, much as most of the miniseries has done since it started. There are some nice spots of humour and big-panel action going on, and some nice art by Francis Manapul, but this was too big a story to fit into 80 pages over four weeks. It leaves the Justice League set up with three teams - and three forthcoming titles - so for DC I guess it's mission accomplished, but there's an overall sense of disappointment. This premise and set-up could have been a lot more effective and enjoyable with room to breathe. (3/5)
Marvel. Written by G. Willow Wilson. Art by Nico Leon. Colours by Ian Herring.Another old Ms Marvel villains returns to torment her, which is cause for celebration in more ways than one. That it's fun to have an enjoyable villain back is reason enough, but it is so wonderful when you consider that Ms Marvel has run long enough and been popular enough that she now has her own developing rogue's gallery. You can mark a successful superhero by their enemies, and she's slowly assembling a whole group of them. It is wonderful to see. (4/5)
Image. Written by Brian K. Vaughan. Art and colours by Fiona Staples.There is a clear formula to Saga; while Brian K. Vaughan's script may vary the sequence a little from arc to arc, in broad strokes it remains. New setting, a family finding happiness in terrible situations, an unexpected character death, a shock betrayal or twist, and a surprising change to the status quo - often accompanied by a jump forward in time. This issue sees the current ninth story arc at the "shock betrayal" stage. It's all very enjoyable, but I noticed some time ago this book had lost its edge that made it so addictive for the first year in particular, and now just feels like a comforting standard on the comic book shelves. (3/5)