Williams and Blackman have resigned from the book, however, citing constant laste-minute interference at the editorial level, including several changes of storylines already partially published. They were initially going to bow out with December's issue #26, but instead their final issue is now: Batwoman #24 sees the long-brewing showdown between Kate Kane and Batman reach a head. They finally come to blows and-
And that's it. This is an issue that doesn't end so much as stop in mid-sentence. If you're anything like me you'll turn the page expecting to find a cliffhanger and instead it's house ads for other DC books. I've never seen a comic book end so abruptly. Given that Trevor McCarthy's art has been 'finished' (whatever that means) by Sandu Florea and Derek Fridolfs, I can't help but feel that the entire creative team either walked away or got kicked off with this issue half-cooked, and rather than delay or replace it DC simply neatened it up where they could and released a half-complete comic book to market. If true, that's tremendously unprofessional: I'm a paying customer, and expect an actual finished comic book when I purchase one. (1/5)
DC Comics. Written by J.H. Williams III and W. Haden Blackman. Art by Trevor McCarthy, Sandu Florea and Derek Fridolfs.
Under the cut: reviews of Batman and Two-Face, Hawkeye, He-Man and the Masters of the Universe, Uncanny X-Men, Wonder Woman and X-Men Legacy.
DC Comics. Written by Peter J. Tomasi. Art by Patrick Gleason and Mick Gray.I was wondering what Batman and Robin would do regarding its title once it had run through all of Batman's other sidekicks and companions - turns out we're onto the villains, with the New 52 re-imagining of Two-Face's origin taking centre stage. Tomasi, Gleason and Gray are the workhorses of DC's Bat-line, producing consistently entertaining Batman comic books every month like clockwork. This issue's no exception. (4/5)
Marvel. Written by Matt Fraction. Art by David Aja.I completely support Marvel's decision to publish this book at the speed that its writer and artists produce it, and not force in a bunch of fill-ins. It's consistently worth the wait. This issue is a bit unusual, because it overlaps with quite a few events we've already seen, giving another perspective on them and generally pushing the characters forward. Beautiful panel layouts, artwork and colours (by Matt Hollingsworth). (5/5)
DC Comics. Written by Dan Abnett. Art by Rafael Kayanan.The second story arc kicks off with Dan Abnett taking over as writer for the next few issues and Rafael Kayanan providing some genuinely off-kilter artwork. It's a solid read, and certainly feels as if DC is pushing the book in a more interesting direction. Nostalgic toy owners of the 1980s might get a kick out of seeing Grizzlor make his debut. I'm still not certain about that artwork, though. It feels inappropriate for something this high in action and pulp fantasy. (3/5)
Marvel. Written by Brian Michael Bendis. Art by Chris Bachalo, Tim Townsend, Al Vey, Mark Irwin, Jaime Mendoza and Victor Olazaba.This issue has five inkers. That seems like a lot. Maybe Marvel is running behind on this crossover, or maybe they figured it'd be a lark to have one inker for every time period of X-Men that seems to be running around at the moment. There are one or two big plot developments in this issue, and things do genuinely feel as if they're building to something of a climax. Two parts to go - I really hope they don't foul it up. (4/5)
DC Comics. Written by Brian Azzarello. Art by Goran Sudzuka.Brian Azzarello has made some pretty significant changes to Wonder Woman's universe and character over the past two years. Her revised origin caused its fair share of complaints (and to a degree rightly so), and now she has an entirely new status quo: the God of War is dead, and Diana has been forced to take his place. I really like the soap opera-like antics of the Greek pantheon as seen through the lens of Azzarello's writing, and the idea of a super-heroine as the Goddess of War is a potent one. This comic is firing on all cylinders at the moment - top stuff! (5/5)
Marvel. Written by Simon Spurrier. Art by Koi Pham and Rachelle Rosenberg.I think this may have been the best issue of Legacy so far: it's utterly surprising, blindsiding me completely in a way that's both unexpected and satisfying. Spurrier's been writing an extraordinarily clever X-book here, and the rotating teams of artists (Koi Pham this month) has served the story very well. It's wrapping up soon, and this issue certainly feels like things are reaching a natural conclusion. I don't mind that - more comics should have a limited shelf life. There's nothing more tedious than outstaying your welcome. For now, X-Men Legacy is very welcome indeed. (5/5)
Winner of the Week: X-Men Legacy
Loser of the Week: Batwoman