Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

July 11, 2014

10 awesome contemporary films directed by women

A post on Indiewire this morning reported that screenwriter James Vanderbilt has signed on to make his directorial debut with the forthcoming drama Truth starring Cate Blanchett and Robert Redford. The post highlighted the uncomfortable fact that this kind of story - where a first-time director gets a huge break on a high profile film - never happens to women.

It's not a controversial statement to claim that film industries around the world are patriarchal spaces (what industry isn't?). It's very difficult for women to get directorial assignments, and certainly all-but-impossible for them to get backing to make larger-scale films within the studio system. Whenever this problem is raised in filmgoer conversations, someone inevitably points out Kathryn Bigelow, director of The Hurt Locker and Point Break, as if the presence of one woman in Hollywood somehow argues for the presence of many others. The same goes for the late Nora Ephron, who found enormous commercial success with her romantic comedies, as well as Nancy Meyers, whose oddly misogynistic comedies (What Women Want, Something's Gotta Give) once made her the most commercial successful female director in the world.

In the interests of furthering the conversation on women in film, I figured it might be worth pointing out 10 great contemporary films directed by women. This isn't some kind of "best films directed by women list"; it's simply 10 films, released since 2000, that were directed by women other than Kathryn Bigelow (because we all seem to have her covered) and that are well worth tracking down and watching. Please feel free to add your own suggestions in the comments.

November 14, 2012

An appreciation of Mary Blair

I am an enormous fan of Mary Blair, and it makes me sad that she remains relatively obscure in motion picture history. Mary was born in 1911 in Oklahoma. She was from an early age a keen artist, and eventually won a scholarship to Los Angeles' Chouinard Art Institute. She made the shift from fine art to animation art due to her husband Lee, and in 1940 she joined him as an artist - as far as I'm aware the only key female artist - at the Walt Disney studio.

Mary contributed design art for several noted Disney productions, including Dumbo, Fun and Fancy Free and Song of the South.  In 1941 she accompanied Walt Disney and others on a government-funded research trip to South America: the purpose was to create animated features set in South America that would encourage those nations to side with the Allies in World War II. As a result Blair provided designs for Saludos Amigos and The Three Caballeros as well.

It's in the early 1950s that Blair's work really made an impact. She was the colour stylist for three films in a row: Cinderella, Alice in Wonderland and Peter Pan. Her work on these three films pretty much shaped and perfected the classical look of Walt Disney animation.